![]() ![]() Over the course of the show, Stuart himself paid homage to some of his personal icons with Merle Haggard’s “No Hard Time Blues” and Bill Monroe’s “Get Down On Your Knees and Pray.” While Marty doesn’t have a direct connection to the founder of bluegrass, he’s close, having begun his career in Lester Flatt’s band. Kenny did two songs, including “Country Music Got A Hold On Me.” Scruggs honored the western swing tradition with Bob Wills’s “Brain Cloudy Blues,” and Stinson performed Woody Guthrie’s “Ballad of Pretty Boy Floyd.” Each member of the band had a turn singing lead last week. While Marty Stuart’s name was on The Birchmere marquee, the Fabulous Superlatives operate more as a collective than as a star and his backing band. Watch the official music video for “Time Don’t Wait” by Marty Stuart on YouTube: The set also included “The Ballad of Easy Rider,” cowritten by Bob Dylan and Roger McGuinn for the Peter Fonda movie. The Byrds’ influence also popped up later in the show with “Time Don’t Wait,” a cut from the band’s latest album, 2017’s Way Out West, which was produced by ex-Heartbreaker Mike Campbell and often sounds like vintage mid-’60s psychedelia. One of the songs they played every night on that tour was the 1961 Memphis soul song, “You Don’t Miss Your Water (‘Til The Well Runs Dry),” written by William Bell. 4, Marty recalled their tour a few years ago with former Byrds Roger McGuinn and Chris Hillman on the occasion of the 50th anniversary of the landmark album Sweetheart of the Rodeo. For 20 years, they’ve been making music that evokes the spirit not just of Stuart’s one-time mentor, the late Johnny Cash, but the country-rock of bands like The Byrds.Īt The Birchmere on Aug. In addition to Vaughan’s Instrumentalist award, the whole outfit has received the AMA’s award for best group. The Fabulous Superlatives are one of the tightest bands in country or Americana music, however you want to slice it. The cover encapsulated a lot of what this band does: They honor country traditions, but their sonic palette extends well into rock & roll. Harry Stinson was on snare drum, and Chris Scruggs, grandson of bluegrass scion Earl Scruggs, was on upright bass. Gathered around a single mic at The Birchmere recently, Marty Stuart and His Fabulous Superlatives played an all-acoustic cover of Tom Petty’s “Runnin’ Down A Dream.” Kenny Vaughan, a winner of the Americana Music Association’s Instrumentalist of the Year, played acoustic guitar. Marty Stuart and His Fabulous Superlatives (Photo by Alysse Gafkjen)
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